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Oxford, Bodleian Library: Holkham misc. 48

formerly: Holkham Hall, Library of the Earl of Leicester : 514

Resources

reproduction: p. 1 (detail, top left) Inferno, Canto I. Initial N[el]. Portrait of Dante. (Bodleian Library)
reproduction: p. 1 (detail, bottom) Inferno, Canto I. Dante confronts the three beasts on the mountain; partial figure of Dante (rest of page destroyed). (Bodleian Library)
reproduction: p. 2 (detail) Inferno, Canto I. Dante meets Virgil. (Bodleian Library)
reproduction: p. 3 (detail) Inferno, Canto II. Dante (rest of scene destroyed). (Bodleian Library)
reproduction: p. 4 (detail) Inferno, Canto III. Dante (part of scene destroyed), souls; the lukewarm, stung by insects, follow a banner. (Bodleian Library)
reproduction: p. 5 (detail) Inferno, Canto III. Dante and Virgil before Charon; a group of souls on each bank. (Bodleian Library)
reproduction: p. 6 (detail) Inferno, Canto IV. The unbaptized; Dante and Virgil greeted by the four ancient poets; the castle with seven walls. (Bodleian Library)
reproduction: p. 7 (detail) Inferno, Canto IV and V. Dante and Virgil observe the virtuous pagans on the meadow; Dante and Virgil before Minos (damaged). (Bodleian Library)
reproduction: p. 8 (detail) Inferno, Canto V. Dante and Virgil observe the carnal sinners driven by the wind; Dante and Virgil and Paolo and Francesca. (Bodleian Library)
reproduction: p. 9 (detail) Inferno, Canto VI. Virgil, with Dante beside him, throws earth at Cerebus; Ciacco standing up among the gluttonous beneath hail and rain. (Bodleian Library)
reproduction: p. 10 (detail) Inferno, Canto VII. Dante and Virgil before Plutus; the avaricious and the prodigal pushing stones. (Bodleian Library)
reproduction: p. 11 (detail) Inferno, Canto VIII. The wrathful and the sullen in Styx; Dante and Virgil before the tower with two lights; the tower of Dis with one light. (Bodleian Library)
reproduction: p. 12 (detail) Inferno, Canto VIII. Phlegyas ferries Dante and Virgil; Filippo Argenti beside the boat; the wrathful in Styx; Dante watches Virgil parleying with a devil before the City of Dis. (Bodleian Library)
reproduction: p. 13 (detail) Inferno, Canto IX. Virgil shields Dante's eyes; the three Furies stand in front of the tower of Dis. (Bodleian Library)
reproduction: p. 14 (detail) Inferno, Canto IX. Dante and Virgil watch the Heavenly messenger approach; a group of souls; the Heavenly messenger opens the gate of Dis; within the city, sacrophagi from which flames issue. (Bodleian Library)
reproduction: p. 15 (detail) Inferno, Canto X. Dante talks to farinata as Virgil stands behind him; Cavalcante in the same sarcophagus; other sarcophagi, containing heads of heretics, are surrounded by flames. (Bodleian Library)
reproduction: p. 16 (detail) Inferno, Canto XI. Dante and Virgil pass the sarcophagus of Pope Anastasius; three terraced, concentric circles filled with souls. (Bodleian Library)
reproduction: p. 17 (detail) Inferno, Canto XII. Dante and Virgil before the Minotaur. (Bodleian Library)
reproduction: p. 18 (detail) Inferno, Canto XII. Dante and Virgil meet the three centaurs, who are followed by other centaurs; the tyrants of Phlegethon. (Bodleian Library)
reproduction: p. 19 (detail) Inferno, Canto XIII. Nessus departing; Dante and Virgil observe a tree in the wood of the suicides bleed after Dante has broken off a twig; Harpies in trees. (Bodleian Library)
reproduction: p. 20 (detail) Inferno, Canto XIII. Dante and Virgil watch the profligate torn by hounds. (Bodleian Library)
reproduction: p. 21 (detail) Inferno, Canto XIV. Dante and Virgil with Capaneus among the blasphemers and usurers in the rain of fire. (Bodleian Library)
reproduction: p. 22 (detail) Inferno, Canto XV. Dante talks to Brunetto Latini while Virgil observes the sodomites in the rain of fire. (Bodleian Library)
reproduction: p. 23 (detail) Inferno, Canto XV. Brunetto Latini in the rain of fire; Dante and Virgil continue their journey. (Bodleian Library)
reproduction: p. 24 (detail) Inferno, Canto XVI. Dante and Virgil with the three Florentine sodomites in the rain of fire; other sodomites in the rain of fire. (Bodleian Library)
reproduction: p. 25 (detail) Inferno, Canto XVII. Dante and Virgil (remainder of the page torn off). (Bodleian Library)
reproduction: p. 26 (detail) Inferno, Canto XVII. Dante talks to the usureres in the rain of fire (partly torn off); Dante and Virgil mounted on Geryon. (Bodleian Library)
reproduction: p. 27 (detail) Inferno, Canto XVIII. Dante and Virgil look at the concentric circles of the malebolge, which are filled with souls- the panderers and the seducers on the topmost ring scourged by devils. (Bodleian Library)
reproduction: p. 28 (detail) Inferno, Canto XIX. Virgil stands beside Dante, who listens to Nicholas III among the simonists. (Bodleian Library)
reproduction: p. 29 (detail) Inferno, Canto XLX. Simonists; Virgil carries Dante. (Bodleian Library)
reproduction: p. 30 (detail) Inferno, Canto XX. Dante and Virgil observe the diviners. (Bodleian Library)
reproduction: p. 31 (detail) Inferno, Canto XXI. Dante and Virgil observe a devil carrying the ancient of Lucca. (Bodleian Library)
reproduction: p. 32 (detail) Inferno, Canto XXI. Dante hiding; devils; Virgil calms the devils; devils prodding a barrator in the pitch. (Bodleian Library)
reproduction: p. 33 (detail) Inferno, Canto XXII. Dante and Virgil led by the devils; devils prodding the barrators in the pitch. (Bodleian Library)
reproduction: p. 34 (detail) Inferno, Canto XXII. Two devils fall into the pitch; other devils, two of them pursuing Dante and Virgil. (Bodleian Library)
reproduction: p. 35 (detail) Inferno, Canto XXIII. Dante and Virgil talk to the two jovial friars; hypocrites; Caiphas. (Bodleian Library)
reproduction: p. 36 (detail) Inferno, Canto XXIV. Virgil chides Dante, who is toiling up the slope. (Bodleian Library)
reproduction: p. 37 (detail) Inferno, Canto XXIV. Dante and Virgil observe Vanni Fucci stung by a serpent and restored to his former form; thieves. (Bodleian Library)
reproduction: p. 38 (detail) Inferno, Canto XXV. Dante and Virgil observe Vanni Fucci, who defies God; Cacus, Agnello, and two other Florentine thieves. (Bodleian Library)
reproduction: p. 39 (detail) Inferno, Canto XXV. The metamorphosis of Cavalcanti and Buoso; another Florentine thief. (Bodleian Library)
reproduction: p. 40 (detail) Inferno, Canto XXVI. Dante and Virgil at the foot of the slope; Dante and Virgil with Ulysses and Diomedes, two of the false coucellors. (Bodleian Library)
reproduction: p. 41 (detail) Inferno, Canto XXVII. Dante and Virgil with Guido da Montefeltro among the false councellors. (Bodleian Library)
reproduction: p. 42 (detail) Inferno, Canto XXVIII. Dante and Virgil with Mohamed; a devil threatening the sowers of discord. (Bodleian Library)
reproduction: p. 43 (detail) Inferno, Canto XXVIII. Dante and Virgil with Piero da Medicina; Piero da Medicina pointingtout Curio; sowers of discord. (Bodleian Library)
reproduction: p. 44 (detail) Inferno, Canto XXVIII. Dante and Virgil observe Mosca and Bertrand de Born, who shows them his head (shown five times). (Bodleian Library)
reproduction: p. 45 (detail) Inferno, Canto XXIX. Dante and Virgil observe Griffolino and Capocchio among the falsifiers; Dante talks to Capocchio; Virgil. (Bodleian Library)
reproduction: p. 46 (detail) Inferno, Canto XXX. Dante and Virgil with Griffolino; Gianni Schicchi biting Capocchio; two falsifiers. (Bodleian Library)
reproduction: p. 47 (detail) Inferno, Canto XXX. Dante and Virgil observe Master Adam, Sinon of Troy, and Potiphar's wife. (Bodleian Library)
reproduction: p. 48 (detail) Inferno, Canto XXXI. Dante and Virgil observe the giants in the well. (Bodleian Library)
reproduction: p. 49 (detail) Inferno, Canto XXXI. Dante and Virgil before Ephialtes; Antaeus lifting Dante and Virgil. Canto XXXII. Dante and Virgil observe the traitors (damaged). (Bodleian Library)
reproduction: p. 50 (detail) Inferno, Canto XXXII. Dante raising Bocca by the hair from among the traitors to kindred as Virgil stands beside him; Dante and Virgil observe Ugolino gnawing Archbishop Ruggieri's head, and Dante talks to Ugolino (shown a second time). (Bodleian Library)
reproduction: p. 51 (detail) Inferno, Canto XXXIII. Dante and Virgil observe Ptolomea. (Bodleian Library)
reproduction: p. 52 (detail) Inferno, Canto XXXIII. Dante and Virgil with Fra Alberigo (?) among the traitors to cause and country; Dante and Virgil. (Bodleian Library)
reproduction: p. 53 (detail) Inferno, Canto XXXIV. Dante and Virgil before Lucifer; Dante and Virgil (rest damaged). (Bodleian Library)
reproduction: p. 54 (detail) Inferno, Canto XXXIV. Dante and Virgil emerging from the exit of Hell. (Bodleian Library)
reproduction: p. 57 (detail) Purgatorio, Canto I. Virgil presents Dante, who is kneeling, to Cato; reeds; stars above. (Bodleian Library)
reproduction: p. 58 (detail) Purgatorio, Canto I. Virgil washes Dante's face; Virgil girds Dante with reeds. (Bodleian Library)
reproduction: p. 59 (detail) Purgatorio, Canto II. Dante and Virgil and a group of souls watch the angel pilot departing; Dante and Virgil talk to a group of souls. (Bodleian Library)
reproduction: p. 60 (detail) Purgatorio, Canto II. Virgil listens to Cato; Dante talks to Casella; souls. (Bodleian Library)
reproduction: p. 61 (detail) Purgatorio, Canto III. Dante and Virgil; the excommunicate descending the mountain. (Bodleian Library)
reproduction: p. 62 (detail) Purgatorio, Canto III. Dante, with Virgil, talks to Manfred, who is followed by other excommunicate. (Bodleian Library)
reproduction: p. 63 (detail) Purgatorio, Canto IV. Manfred leading a group of excommunicate; Dante and Virgil climb up the rocky ledge; Dante and Virgil seated on the ledge; stars. (Bodleian Library)
reproduction: p. 64 (detail) Purgatorio, Canto IV. Dante and Virgil with Belacqua; Dante and Virgil look back at a group of indolent. (Bodleian Library)
reproduction: p. 65 (detail) Purgatorio, Canto V. Dante and Virgil talk to two indolent; Dante and Virgil talk to Jacopo del Cassero among the late repentant. Small (Bodleian Library)
reproduction: p. 66 (detail) Purgatorio, Canto V. Buonconte da Montefeltro and La Pia, among the late repentant, talk to Dante as Virgil stands aside; Dante flanked by two groups of late repentant; Virgil. (Bodleian Library)
reproduction: p. 67 (detail) Purgatorio, Canto VI. Dante and Virgil conversing; Sordello seated; Dante observes Virgil embracing Sordello. (Bodleian Library)
reproduction: p. 68 (detail) Purgatorio, Canto VI. Dante observes Sordello clasping Virgil's knees. (Bodleian Library)
reproduction: p. 69 (detail) Purgatorio, Canto VII. Dante observes Sordello paying homage to Virgil. (Bodleian Library)
reproduction: p. 70 (detail) Purgatorio, Canto VII. Sordello shows Dante and Virgil the pre-occupied rulers; angel above. (Bodleian Library)
reproduction: p. 71 (detail) Purgatorio, Canto VIII. The pre-occupied rulers; angels above; Dante talks to Nino Visconti; Virgil and Sordello. (Bodleian Library)
reproduction: p. 72 (detail) Purgatorio, Canto VIII. Dante talks to Nino Visconti and Conrad Malaspina; Sordello shows Virgil the serpent, two angels above. (Bodleian Library)
reproduction: p. 73 (detail) Purgatorio, Canto IX. Two late repentant and Sodello; Virgil and Lucy; the eagle descending towards the sleeping Dante; Dante and Virgil seated. (Bodleian Library)
reproduction: p. 74 (detail) Purgatorio, Canto IX. Dante and Virgil before the angel seated in the Gate of Purgatory; the angel standing beside the open gate as Dante enters; Virgil in Purgatory. (Bodleian Library)
reproduction: p. 75 (detail) Purgatorio, Canto X. Dante and Virgil; Dante and Virgil look at three reliefs showing the Annunciation, the Ark of the covenant drawn by oxen, and Trajan and the widow. (Bodleian Library)
reproduction: p. 76 (detail) Purgatorio, Canto X. Dante and Virgil observe the proud. (Bodleian Library)
reproduction: p. 77 (detail) Purgatorio, Canto XI. Dante and Virgil with Omberto Aldobrandeschi among the proud. (Bodleian Library)
reproduction: p. 78 (detail) Purgatorio, Canto XI. Dante and Virgil with Oderisi and Provenzan Salvani among the proud. (Bodleian Library)
reproduction: p. 79 (detail) Purgatorio, Canto XII. Dante and Virgil walk along the figured pavement showing Arachne, Lucifer, Rehoboam, and Saul. (Bodleian Library)
reproduction: p. 80 (detail) Purgatorio, Canto XII. Dante and Virgil observe the angel of humility approaching; Dante and Virgil ascending. (Bodleian Library)
reproduction: p. 81 (detail) Purgatorio, Canto XIII. Dante and Virgil observe the envious; flying spirits. (Bodleian Library)
reproduction: p. 82 (detail) Purgatorio, Canto XIII. Dante and Virgil with Sapia among the envious. (Bodleian Library)
reproduction: p. 83 (detail) Purgatorio, Canto XIV. Dante and Virgil with Guido del Duca and Rinier da Calboli among the envious. (Bodleian Library)
reproduction: p. 84 (detail) Purgatorio, Canto XIV. Dante and Virgil with Guido del Duca and Rinier da Calboli among the envious. (Bodleian Library)
reproduction: p. 85 (detail) Purgatorio, Canto XV. Dante and Virgil observe the angel of mercy approaching; Dante and Virgil ascending. (Bodleian Library)
reproduction: p. 86 (detail) Purgatorio, Canto XV. Dante and Virgil conversing; Dante and Virgil ascending. (Bodleian Library)
reproduction: p. 87 (detail) Purgatorio, Canto XVI. Dante and Virgil with Marco Lombardo among the wrathful. (Bodleian Library)
reproduction: p. 88 (detail) Purgatorio, Canto XVI. Dante and Virgil listen to Marco Lombardo among the wrathful. (Bodleian Library)
reproduction: p. 89 (detail) Purgatorio, Canto XVII. Dante follows Virgil. (Bodleian Library)
reproduction: p. 90 (detail) Purgatorio, Canto XVII. Dante and Virgil before the angel of peace; Dante and Virgil ascending. (Bodleian Library)
reproduction: p. 91 (detail) Purgatorio, Canto XVIII. Dante and Virgil conversing. (Bodleian Library)
reproduction: p. 92 (detail) Purgatorio, Canto XVIII. The slothful; Dante and Virgil look back at the Abbot of San Zeno and another slothful. (Bodleian Library)
reproduction: p. 93 (detail) Purgatorio, Canto XIX Virgil beside Dante, who is asleep; the holy lady exposes the siren. (Bodleian Library)
reproduction: p. 94 (detail) Purgatorio, Canto XIX. Dante and Virgil conversing; the angel of zeal. (Bodleian Library)
reproduction: p. 95 (detail) Purgatorio, Canto XIX. Dante and Virgil with Adrian V among the avaricious and the prodigal. (Bodleian Library)
reproduction: p. 96 (detail) Purgatorio, Canto XX. Dante and Virgil with Hugh Capet among the varicious and the prodigal. (Bodleian Library)
reproduction: p. 97 (detail) Purgatorio, Canto XXI. Kneeling souls; Statius speaks to Dante and Virgil. (Bodleian Library)
reproduction: p. 98 (detail) Purgatorio, Canto XXI. Dante beside Virgil, who talks to Statius. (Bodleian Library)
reproduction: p. 99 (detail) Purgatorio, Canto XXI. The angel of liberality departs; Statius pays homage to Vigil as Dante watches; Statius and Virgil conversing. (Bodleian Library)
reproduction: p. 100 (detail) Purgatorio, Canto XXII. Statius and Virgil conversing, Dante listens. (Bodleian Library)
reproduction: p. 101 (detail) Purgatorio, Canto XXII. Dante, Statius and Virgil observe the tree of the gluttonous. (Bodleian Library)
reproduction: p. 102 (detail) Purgatorio, Canto XXIII. Dante, followed by Statius and Virgil, talks to Forese Donati among the gluttonous. (Bodleian Library)
reproduction: p. 103 (detail) Purgatorio, Canto XXIII. Forese Donati shows Dante, Statius and Virgil the tree of the gluttonous; the gluttonous. (Bodleian Library)
reproduction: p. 104 (detail) Purgatorio, Canto XXIV. Bonagiunta (?); Dante, Statius, and Virgil observe Forese Donati run after the gluttonous. (Bodleian Library)
reproduction: p. 105 (detail) Purgatorio, Canto XXIV. The gluttonous around the tree; Dante, Statius, and Virgil meet the angel of temperance. (Bodleian Library)
reproduction: p. 106 (detail) Purgatorio, Canto XXV. Dante, Statius and Virgil conversing. (Bodleian Library)
reproduction: p. 107 (detail) Purgatorio, Canto XXXI. Matilda plunges Dante into Lethe; the four virtues surround Dante, who is led by Matilda; the three virtues lead Dante to Beatrice, who stands beside the griffin. (Bodleian Library)
reproduction: p. 108 (detail) Purgatorio, Canto XXXII. Statius, Beatrice, and Matilda observe the procession and the griffin pulling the car. (Bodleian Library)
reproduction: p. 109 (detail) Purgatorio, Canto XXXII. The griffin tying the car to the tree; Matilda and Dante observe the fox on the car and the eagle swooping down; the seven virtues (?) holding the seven candlesticks; the head of God in the arc of Heaven. (Bodleian Library)
reproduction: p. 110 (detail) Purgatorio, Canto XXXII. Dante observes the giant beating the whore, who is on the car with seven horned heads attached to it; Dante observes the giant pull the seven-horned-headed car with the whore on it. (Bodleian Library)
reproduction: p. 111 (detail) Purgatorio, Canto XXXIII. Statius and Matilda follow Beatrice, who shows Dante the seven virtues; the seven virtues seated beside Lethe and Eunoe. (Bodleian Library)
reproduction: p. 112 (detail) Purgatorio, Canto XXXIII. Statius behind Dante, whom Matilda and Beatrice lead. Statius crosses Eunoe; Dante kneels before Matilda and Beatrice. (Bodleian Library)
reproduction: p. 113 (detail) Paradiso, Canto I. Dante and Beatrice ascend towards the sun. (Bodleian Library)
reproduction: p. 114 (detail) Paradiso, Canto I. Beatrice leading Dante. (Bodleian Library)
reproduction: p. 115 (detail) Paradiso, Canto II. Dante and Beatrice observe the moon and Cancer. (Bodleian Library)
reproduction: p. 116 (detail) Paradiso, Canto II. Beatrice shows Dante three mirrors. (Bodleian Library)
reproduction: p. 117 (detail) Paradiso, Canto III. Beatrice leads Dante to Piccarda and Costanza, who are followed by other souls. (Bodleian Library)
reproduction: p. 118 (detail) Paradiso, Canto III. Costanza and other souls listen as Piccarda speaks to Dante; Beatrice. (Bodleian Library)
reproduction: p. 119 (detail) Paradiso, Canto IV. Dante and Beatrice conversing. (Bodleian Library)
reproduction: p. 120 (detail) Paradiso, Canto IV. Dante and Beatrice conversing. (Bodleian Library)
reproduction: p. 121 (detail) Paradiso, Canto V. Dante and Beatrice. (Bodleian Library)
reproduction: p. 122 (detail) Paradiso, Canto V. Beatrice, behind Dante, looks back to Mercury, who is seated beside a star and his domiciles Gemini and Virgo. (Bodleian Library)
reproduction: p. 123 (detail) Paradiso, Canto VI. Justinian; souls and Romeo. (Bodleian Library)
reproduction: p. 124 (detail) Paradiso, Canto VI. Souls behind Justinian, who is praying; souls with Romeo; Dante. (Bodleian Library)
reproduction: p. 125 (detail) Paradiso, Canto VII. Dante listens to Beatrice. (Bodleian Library)
reproduction: p. 126 (detail) Paradiso, Canto VIII. Venus with Taurus and Libra; Dante and Beatrice conversing. (Bodleian Library)
reproduction: p. 127 (detail) Paradiso, Canto VIII. Charles Martel with a group of souls. (Bodleian Library)
reproduction: p. 128 (detail) Paradiso, Canto VIII. Dante talks to Charles Martel, who is followed by a group of souls; Beatrice. (Bodleian Library)
reproduction: p. 129 (detail) Paradiso, Canto IX. Dante and Beatrice with Cunizza, who is followed by a group of souls. (Bodleian Library)
reproduction: p. 130 (detail) Paradiso, Canto IX. Souls follow Rehab; Dante talks to Folco; Beatrice. (Bodleian Library)
reproduction: p. 131 (detail) Paradiso, Canto XVI. Beatrice and Dante before Cacciaguida (figures cut out but identified by inscription) followed by souls. (Bodleian Library)
reproduction: p. 132 (detail) Paradiso, Canto XVI. A group of souls follow Cacciaguida (figures cut out but identified by inscription) who is faced by Dante and Beatrice. (Bodleian Library)
reproduction: p. 133 (detail) Paradiso, Canto XVII. Cacciaguida, followed by a group of souls beside Dante and Beatrice. (Bodleian Library)
reproduction: p. 134 (detail) Paradiso, Canto XVII. Cacciaguida, followed by souls, talks to Dante; Beatrice. (Bodleian Library)
reproduction: p. 135 (detail) Paradiso, Canto XVIII. Part of the cross of warriors which Cacciaguida shows Dante; Beatrice. (Bodleian Library)
reproduction: p. 136 (detail) Paradiso, Canto XVIII. Sagittarius and Pisces beside Jupiter; Dante and Beatrice look at DILIGETE formed by heads. (Bodleian Library)
reproduction: p. 137 (detail) Paradiso, Canto XX. The eagle composed of just rulers. (Bodleian Library)
reproduction: p. 138 (detail) Paradiso, Canto XX. Dante talks to the just ruler within the eagle; Beatrice; Dante. (Bodleian Library)
reproduction: p. 139 (detail) Paradiso, Canto XXI. St. Peter Damian at the foot of the stairs, which souls ascend and descend; Saturn on horseback swinging club; a star, Aquarius and Capricornus. (Bodleian Library)
reproduction: p. 140 (detail) Paradiso, Canto XXI. Souls ascending and descending the stairs; St. Peter Damian talks to Dante; Beatrice. (Bodleian Library)
reproduction: p. 141 (detail) Paradiso, Canto XXII. Gemini; Dante and Beatrice look down at the seven planets; Dante and Beatrice conversing. (Bodleian Library)
reproduction: p. 142 (detail) Paradiso, Canto XXIII. Christ enthroned, blessing; the Virgin and an angel on His right; members of the Church Triumphant praying. (Bodleian Library)
reproduction: p. 143 (detail) Paradiso, Canto XXIV. Dante and Beatrice before St. Peter, who is followed by the apostles and St. Paul. (Bodleian Library)
reproduction: p. 144 (detail) Paradiso, Canto XXIV. SS. John and James; St. Peter talks to dante; Beatrice. (Bodleian Library)
reproduction: p. 145 (detail) Paradiso, Canto XXXII. The Virgin in the centre of the Rose, surrounded by saints and children in the petals; angels and empty thrones. (Bodleian Library)
reproduction: p. 146 (detail) Paradiso, Canto XXXIII. Dante and St. Bernard kneel before the Vigin enthroned in a mandorla, holding a golden palm, and surrounded by angels. (Bodleian Library)
reproduction: p. 147 (detail) Paradiso, Canto XXXIII. St. Bernard presents the kneeling Dante to the three-faced Trinity within concentric, radiating bands; angels and stars. (Bodleian Library)
reproduction: p. 148 (detail) Paradiso, Canto XXXIII. Dante presents his book to Can Grande (?), who is followed by courtiers. (Bodleian Library)

A key to the references can be found under Sources